Every module below runs inside Flux Engine V5, sharing one analysis pass. Expand each one to see what it's actually listening for.
Most noise reduction works by subtracting a fixed noise profile from the whole signal, which is why it leaves that underwater, phasey smear behind. Clarity Engine rebuilds the noise floor continuously, re-profiling every few hundred milliseconds so it never has to over-subtract to stay safe.
It's tuned specifically for vocal recordings: computer fan hum, room reflections, mic self-noise, and bleed from headphones are all recognized as separate problems instead of one generic "noise" category.
PitchLock tracks pitch in real time and nudges wandering notes back toward the intended target — but it distinguishes between a genuine pitch error and an intentional slide, scoop, or rasp, and leaves the latter alone.
The correction curve is adaptive, not a fixed snap-to-grid: a note that's slightly under target is nudged gently, while a note that's clearly off is corrected more firmly.
Harmonic Bloom adds analog-style harmonic saturation — modeled after tape and tube coloration — to bring a vocal forward in a busy mix. Because it works on harmonic content rather than raw gain, a vocal can feel louder and closer without actually being louder on a meter.
The amount of saturation is scaled to the thinness of the original recording, so a already-warm vocal chain gets touched lightly.
AutoLevel replaces manual gain automation by riding level on a phrase-by-phrase basis, the way an engineer's hand would move a fader through a take. Quiet verses and belted choruses land at the same finished, consistent volume without audible pumping.
It tracks perceived loudness rather than raw amplitude, so sustained loud notes aren't punished the way a standard compressor would punish them.
Rather than ducking a fixed frequency band whenever volume spikes — the classic de-esser approach that also dulls cymbals and air — DeEss Core identifies the specific harmonic signature of sibilance frequency by frequency, note by note.
Only the offending frequencies are pulled down, so brightness and "air" elsewhere in the vocal are left completely alone.
SpaceCraft analyzes the instrumental context around the vocal and builds a sense of space — early reflections, a short tail, subtle width — that's proportioned to match it, rather than applying one fixed reverb preset regardless of genre or arrangement.
A dry, tight vocal stays close when the track calls for intimacy, and opens up when the arrangement is bigger.
All six, running on one engine.
See Flux Engine V5